Eco-conscious designer extraordinaire, Rogan Gregory, is the latest to be plucked from the ranks of fashion's most forthcoming designers for Target's GO International collection. Below are a few of my favorite pieces from the collection (although none of it is particularly bad). Rogan's various projects include his eponymous line of clothing as well as sustainable furniture and the organic denim line Loomstate, so he's earned his green credentials. And at Target prices, there's really no reason to feel guilty about indulging your shopping sweet tooth.
Madison à la Mode
Tuesday, May 20, 2008
Tuesday, May 13, 2008
Hot Child In The City
It's time for Sex And The City: The Movie mania to kick in, since audiences have only three weeks of mind-numbing anticipation left to endure! Check out the video below for FOOTAGE FROM THE MOVIE as well as a behind-the-scenes look at SJP's June Vogue shoot with Miley Cyrus' fav photog, Annie "15 is the new 18" Leibovitz. Why does Anna Wintour insist on only featuring Sarah Jessica? Wouldn't the issue be more popular if all 4 women were on the cover? C'est la vie, and enjoy!
Monday, April 28, 2008
Pardonnez Moi
Is that how you spell that? I don't know, but I just thought I'd apologize in advance for the upcoming absence of posts. It's exam week so 1) I'm busy and 2) people are not really concerned with dressing their best. "Merci" for understanding.
Saturday, April 26, 2008
The Real Deal
The Breeze decided that the general JMU public would be more interested in other things than my article on Kathleen Temple and Kaitie Atchison, whose collection for Artisans' Hope I drew attention to with a post last week. Here is the entire article, completely unedited. I know it's a lot of text but I encourage you to read it if you have any interest in sustainable clothing or good people doing important things in the community who are being ignored by an editorial staff that needs to get its priorities straight...
Downtown fabric emporium Ragtime Fabrics employees Kathleen Temple and Kaitie Atchison don’t want to save the world; they just want to do their part to make it a little bit better. Together they have created a line of clothing for local fair trade retailer Artisans’ Hope, where Broadway High School senior Atchison volunteers. The rising JMU freshman came up with the idea for the fundraiser, which came to fruition with the help of tailor and dressmaker Temple and the support of the pair’s boss, Ragtime Fabrics owner Belle Stemper. "I'd learn about different artisans and how the process works and then I'd come to work and want to share it with someone," says Atchison, who found a kindred spirit in Temple, a former pastor and religious studies professor at Eastern Mennonite University.
Fair trade is a term that designates the sustainable business practice of paying local workers in a given community well enough so that they can be self-sufficient, which stimulates the global economy and encourages socioeconomic equality. Artisans’ Hope buys from wholesale companies that pay artisans directly for their work. A part of Gift & Thrift Shop Inc., a local non-profit established in 1982, Artisans’ Hope’s proceeds also contribute in part to the financial resources of the Mennonite Central Committee, a non-denominational relief organization. “They do a lot with development and trying to get people to learn skills they can use for themselves and be independent,” explains Nancy Yoder, an Artisans’ Hope volunteer.
Artisans’ Hope suppliers include Ten Thousand Villages, Bright Hope International and Equal Exchange, but they do not sell clothing, a niche now filled by this ambitious design duo. “We were eager to work with them,” says Artisans’ Hope manager Sara Halteman, “it’s very different from anything we’ve ever had.” The garments are constructed from handmade, hand-painted rayon from Bali, a high quality natural fiber that breathes easily. “I tried to keep in mind with the designs what would be flattering...[there are] no zippers, just drawstrings,” says Atchison. “It’s good for summer.”
The entire collection was produced in under two months and features one-of-a-kind dresses and skirts priced from fifty to one hundred dollars, as well as inexpensive ‘treasure bags,’ assembled from fabric scraps. Sizes range from small to large and both women are quick to point out that each garment can be worn by a variety of body types. The collection will be on sale until early fall, subject to availability - within two hours of the fundraiser opening the collection generated more than eight hundred dollars in sales. “I’m really excited that the community has responded so well to it,” says Broadway High School teacher Anneke Martin. “I think it means more to people who are wearing it if they understand what fair trade is.”
Aside from this capsule collection, Atchison and Temple hope to continue working with sustainable fabrics and to possibly broaden their market. For these women, the workplace conversations about trade policy that engendered this collection are part of an ongoing dialogue about the future of garment design. "There's bound to be more of a market for fair trade," notes Atchison, who regrets that Wal-Mart and other big box retailers are jumping on the organic bandwagon as it undermines the local growth that is key to the green movement. "We wouldn't have had this idea much less been able to do it if we weren't [working] at a totally independent store," comments Temple, whose boss, Belle Stemper, notes that there seems to be “a reaction against Wal-Mart and ‘made in China’...A lot more people are saying they want to buy local.”
All proceeds from the collection are donated directly to Artisans’ Hope and benefit struggling artisans around the world. For more information about Artisans’ Hope visit www.giftandthrift.org, or visit www.ragtimefabrics.com for more information about the store and the fair trade fabric used in the collection.
Artisans’ Hope suppliers include Ten Thousand Villages, Bright Hope International and Equal Exchange, but they do not sell clothing, a niche now filled by this ambitious design duo. “We were eager to work with them,” says Artisans’ Hope manager Sara Halteman, “it’s very different from anything we’ve ever had.” The garments are constructed from handmade, hand-painted rayon from Bali, a high quality natural fiber that breathes easily. “I tried to keep in mind with the designs what would be flattering...[there are] no zippers, just drawstrings,” says Atchison. “It’s good for summer.”
The entire collection was produced in under two months and features one-of-a-kind dresses and skirts priced from fifty to one hundred dollars, as well as inexpensive ‘treasure bags,’ assembled from fabric scraps. Sizes range from small to large and both women are quick to point out that each garment can be worn by a variety of body types. The collection will be on sale until early fall, subject to availability - within two hours of the fundraiser opening the collection generated more than eight hundred dollars in sales. “I’m really excited that the community has responded so well to it,” says Broadway High School teacher Anneke Martin. “I think it means more to people who are wearing it if they understand what fair trade is.”
Aside from this capsule collection, Atchison and Temple hope to continue working with sustainable fabrics and to possibly broaden their market. For these women, the workplace conversations about trade policy that engendered this collection are part of an ongoing dialogue about the future of garment design. "There's bound to be more of a market for fair trade," notes Atchison, who regrets that Wal-Mart and other big box retailers are jumping on the organic bandwagon as it undermines the local growth that is key to the green movement. "We wouldn't have had this idea much less been able to do it if we weren't [working] at a totally independent store," comments Temple, whose boss, Belle Stemper, notes that there seems to be “a reaction against Wal-Mart and ‘made in China’...A lot more people are saying they want to buy local.”
All proceeds from the collection are donated directly to Artisans’ Hope and benefit struggling artisans around the world. For more information about Artisans’ Hope visit www.giftandthrift.org, or visit www.ragtimefabrics.com for more information about the store and the fair trade fabric used in the collection.
Thursday, April 24, 2008
Riddle Me This
Julianne Moore as featured on the May 2008 cover of Vogue Paris (left) and as featured on US Harper's Bazaar's May 2008 cover (right). There is a distinct difference between these two cover shots. Which is more compelling? Is the French cover too raunchy for American audiences? This is just the kind of dorky thing that interests me more than it should. Which cover would you pick up at the newsstands? And why?
P.S. I just found out that Julianne Moore is 48 years old!!
P.S. I just found out that Julianne Moore is 48 years old!!
Wednesday, April 23, 2008
The Look of Spring
1) The dress combines floral trends with stringy detailing (elements of previous seasons at Chloé, see below) for a look that's distinctly "now."
2) Those red patent leather peeptoe-bowed-ballerina flats match the flower buds in the dress; a subtle accent that makes a world of difference.
3) I love the strong shoulder the cap sleeve creates. So hot right now.
4) I can't deny the resemblance between this petite blonde in her bug-eye shades and Nicole Richie, as offensive as that may be to some, but might I just say that Ms. Richie only wishes she could pay her stylist to look this good.
3) I love the strong shoulder the cap sleeve creates. So hot right now.
4) I can't deny the resemblance between this petite blonde in her bug-eye shades and Nicole Richie, as offensive as that may be to some, but might I just say that Ms. Richie only wishes she could pay her stylist to look this good.
TWO PHOTOS COURTESY OF MARCIO MADEIRA/STYLE.COM
Thursday, April 17, 2008
Best Foot Forward
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